PROJECTS

Photo by Heike Liss

Ne(x)tworks joins forces with JACK Quartet to create composer, multi-instrumentalist, and electric harp pioneer Zeena Parkins’s new electro-acoustic compostion Spellbeamed. Commissioned by Ne(x)tworks, Spellbeamed takes inspiration from literary critic Walter Benjamin’s Archive, a published trove of images, texts, and ephemera collected by the author. For Parkins’s new composition, quotidian materials collected by each musician are utilized to form an animated score developed in collaboration with visual artist Cynthia Madansky. The resultant sound is further enhanced with live-processing by Preshish Moments and the composer, creating an ecology of inter-relationships developed between improvisers and readers, sound and score, objects and instruments.

Photo:©Paula Court

Performances
World Premiere at The Kitchen, December 16 & 17, 2011
Roulette Brooklyn, September 1011, 2012
–> New York Times review of Sept. 10 performance

Spellbeamed is produced with generous support from The MAP Fund and CBD Music, Inc.

Spellbeamed is commissioned through Meet The Composer’s Commissioning Music/USA program, which is made possible by generous support from the Mary Flagler Cary Charitable Trust, the Ford Foundation, the Francis Goelet Charitable Lead Trusts, New York City Department of Cultural Affairs, New York State Council on the Arts, the William and Flora Hewlett Foundation, and the Helen F. Whitaker Fund.

Photo:©Paula Court

On February 25 & 26, 2012, Greenwich House Music School (GHMS) and North River Music presented Ne(x)tworks in Music Without Dance, a festival focusing on recent and historical musical works originally created for performance with choreographed movement. Programed and performed by Ne(x)tworks (GHMS’s Ensemble-In-Residence), Music Without Dance’s two concert programs include music by several ensemble member composers including Joan La Barbara, Miguel Frasconi, Shelley Burgon, and Christopher McIntyre as well as guests such as John King, Jon Gibson, and Annea Lockwood. Before the concert on the 26th, Ne(x)tworks and North River Music hosted a panel event with several featured composers and local choreographers including Yoshiko Chuma, Nai-Ni Chen, Katherine Beyar, and Erica Essner. Topics for discussion include the evolving dialectic between contemporary dance and music communities, working processes and collaborative models, and how music functions in the context of dance or theater versus the effect of music in concert format.

Music Without Dance Program

Saturday, Feb 25, 7:30
Concert #1
Moving Spaces (2002) by Christian Wolff
created for Merce Cunningham
Migrations (2008) by Miguel Frasconi
created for Alonzo King
Future Sight (2010) by Shelley Burgon
created for Katherine Behar
Relative Calm (1981) by Jon Gibson
created for Lucinda Childs

Sunday, Feb 26, 6:00
Composer and Choreographer Panel
Panel discussion on the relationship between music and dance featuring choreographers Yoshiko Chuma, Katherine Beyar,Nai-Ni Chen, Erica Essner, and composers Joan La Barbara, Miguel Frasconi, John King, Annea Lockwood.

Sunday, Feb 26, 7:30
Concert #2
Stuplimity No. 3 (2007) by Christopher McIntyre
created for Yoshiko Chuma
Desert Myths (2006) by Joan La Barbara
created for Nai-Ni Chen
Jitterbug (2007) by Annea Lockwood
created for Merce Cunningham
DELTA (dreamdeepdown) (2002) by John King
created for Kevin O’Day

Ne(x)tworks
Joan La Barbara (voice), Shelley Burgon (harp & laptop), Yves Dharamraj (cello), Miguel Frasconi (glass, flute, & laptop), Ariana Kim (violin), Christopher McIntyre (trombone, laptop)

special guests:
Jenny Lin (piano) and Sara Schoenbeck (bassoon).